Review: GRIMAS by Kam’Geez, Vintage Rap Done Right

Rap music has always thrived on evolution—new flows, new sounds, and new perspectives. But every so often, an artist comes along who taps into the essence of what made past eras so compelling while keeping things fresh. Enter Kam’Geez and his latest track, GRIMAS—a song that seamlessly blends nostalgic elements with modern-day finesse.

The moment the heavy drums hit, even if just for a second, it’s clear that GRIMAS is about to take us on a ride. The energy is set immediately, ushering in an atmosphere that feels both intense and calculated. Kam’Geez wastes no time launching into his signature melodic flow, tying together intricate rhyming schemes with bars that demand attention. His cadence is sharp yet effortless, maintaining a rhythm that commands listeners to lock in from the jump.

One of the standout aspects of GRIMAS is its hook, which is layered with dubbed vocals done in an almost exaggerated fashion. This stylistic choice harkens back to the early 2010s, an era when such vocal stacking was a staple of rap production. While it adds a vintage charm to the track, it also feels slightly out of place in 2025, where cleaner vocal treatments tend to dominate. Despite this, the hook remains catchy, packed with quotable lines that reflect the braggadocious yet introspective nature of Kam’Geez’s lyrics:

“They say that life’s a bitch/ She fuck on everybody/ They talk behind my back/ But I got (…) on everybody/ They spreading lies but they all rumors/ so I ain’t worried about it/ One thing they can’t say I’m broke/ So I don’t care about it/”

Halfway through the track, Kam’Geez’s flow takes a turn that is bound to draw comparisons to Drake in his prime. It’s a testament to his ability to keep things engaging, injecting a youthful energy that refuses to let up. This dynamic shift in delivery prevents the song from becoming monotonous, proving that Kam’Geez has mastered the art of pacing within a track.

Production-wise, GRIMAS is nearly flawless. The mix and master are pristine, with the instrumental and vocals blending seamlessly. The only gripe, once again, is the overdubbing of vocals on the hook—a technique that, while nostalgic, feels slightly out of step with contemporary rap aesthetics. However, this minor flaw doesn’t detract from the song’s overall impact.

The instrumental itself plays a crucial role in shaping the song’s identity. An 80s-style organ leads the beat, further cementing the track’s retro aesthetic. This choice adds depth to the production, giving it a cinematic feel that makes it stand out in a sea of more minimalistic, trap-heavy beats dominating the genre today.

At its core, GRIMAS is a song that balances past and present, drawing on influences while still feeling uniquely Kam’Geez. His ability to weave together melody, sharp lyricism, and nostalgic elements speaks to his artistic vision. While some production choices might not align perfectly with modern trends, they contribute to the song’s character, making it a memorable listen.

For those who appreciate rap with substance, style, and a touch of nostalgia, GRIMAS is a track worth spinning. Kam’Geez is proving that he has the chops to stand out, and if this release is any indication, his trajectory is only moving upward.

Follow Kam’Geez on Instagram @high.end.geez to keep up with his latest moves.